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Artwork
#ink
#landscapes
#Max Naylor
#oil portray
#portray
“Narcissus” (2023), ink on paper, 51 x 66 centimeters. All photographs © Max Naylor, shared with permission
Working in vivid washes of ink and oil paint, artist Max Naylor renders impressionistic dreamscapes that emerge from nostalgic recollections and imagined areas. Specializing in pure textures like gilled mushrooms scaling a tree trunk or the smooth ripples of water, Naylor creates what he calls a “parallel universe, a microcosm that’s much like our world however free from the shackles of actuality.” The scenes typically veer towards the unnatural, favoring otherworldly shade palettes and unlikely lighting. “In these areas, it may be evening and day concurrently,” he says. “You possibly can stare up on the sky while noticing the crops flowering at your ft.”
The ethereal qualities of Naylor’s works echo his course of, which entails letting the fluid supplies dictate the contours of the compositions and permitting the landscapes to “nicely up from my unconscious and spill onto the floor…The works in ink are made rapidly. On the identical time, I’m engaged on bigger oil work that take for much longer. Working at these totally different tempos retains issues contemporary and thrilling for me, with the works in ink frequently informing the works in oil.”
Based mostly in Bristol, Naylor has a studio at Spike Island and at the moment teaches at London’s Royal Drawing College. Yow will discover extra of his landscapes on Instagram.
“Inexperienced Goddess” (2023), ink on paper, 51 x 66 centimeters
“Satan’s Cauldron” (2023), oil on linen, 115 x 105 centimeters
“Mountainside” (2022), ink on paper, 51 x 66 centimeters
“Phosphorescence” (2022), ink on paper, 51 x 66 centimeters
“Catkins and Crocuses” (2023), ink on paper, 51 x 66 centimeters
#ink
#landscapes
#Max Naylor
#oil portray
#portray
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