Monday, May 19, 2025

The Evolving Nature of South Asian Bookmaking

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Years in the past, a good friend bequeathed her assortment of stamp albums to my sister and me. On the time, I tucked them away neatly in a field. Whereas studying Outdated Stacks New Leaves: The Arts of The Ebook in South Asia (College of Washington Press, 2023), I got here throughout a picture from a stamp album owned by Deep Krishna Mehrotra, father of Indian poet Arvind Krishna Mehrotra, from 1931. Instantly, I fished out my field to look at, rely, and categorize the stamps. There have been at the very least 2,000 of those with spectacular pictures, collected from 44 nations. I confess I might have continued to disregard them had it not been for this thrilling new publication.

Outdated Stacks New Leaves is a particular and scholarly examine whereby editor Sonal Khullar reconsiders genealogies, text-image relationships, and the materiality of books in different historic and modern varieties courting again to 1,100 CE in South Asia. The trajectories traced on this guide resist what Khullar calls, “An easy growth from pothi [horizontal loose-leaf folios] to printed guide and from oral, scribal, and efficiency cultures to silent, distant, or passive studying, writing, and seeing.”

Most important poetry pages 1–2 of Sadequain’s Ruba‘iyat-i Sadiqain Naqqash, 2nd version (1971). Reproduced with permission of Sibtain Naqvi.

These traditions vary thematically and geographically, having solid advanced interconnected networks over the centuries. They embody however are usually not restricted to Nepalese palm leaf manuscripts, royal Mughal (Indian) and Persianate folios, British imperial {photograph} albums, Urdu lithographic assemblages, stamp albums, intimate diaries, and modern artist initiatives about books.

A Devīmāhatmya folio, © Los Angeles County Museum of Artwork
Two Raginis (verso), folio from the “Devasano Pado” Kalpasutra and Kalakacharyakatha, © Los Angeles County Museum of Artwork

The scholarship complicates widespread understandings of South Asian bookmaking, whose regional apply and entry benefited from Indic, Western, Islamic, and cross-cultural influences within the final millennium. For example, Holly Shaffer writes concerning the Poona Photographic Firm album (a quantity containing portraits of Queen Victoria with Indian officers and different images of British imperialists), illustrating the merger of the South Asian album (muraqqa) with colonial photographic codecs in a pre-Partition India. In one other instance, Jinah Kim discusses early Indic artwork of the guide or the Indigenous pothi that mixes Brahmanic, Buddhist, and Jain traditions in Nepal and North Indian facilities within the eleventh century.

Karachi-based visible artist Naila Mahmood’s photographic challenge about North Indian cookbooks within the first half of the twelfth century demystifies connections between the native consumption of products and the impression of colonial establishments on Indian gender and training constructions within the area. Amid a backdrop of kinship and locale, they could additionally immediate a bout of nostalgia for readers. I’m considering of my mother’s classic cooking manuals — within the Nineties, the month-to-month meals journal Dalda ka Dastarkhwan was present in virtually each Pakistani family. (“Dalda” is a vegetable oil model whereas “Dastarkhwan” in Turkish is “tablecloth” and refers to conventional eating areas usually laid out on the bottom in South Asian customized).

No matter readers’ current information about guide histories, a compelling essay or an inspiring picture within the publication will certainly pique their curiosity. Khullar’s dialogue of secondhand markets in India invoked my reminiscences of guide searching in Karachi’s packed festivals and chaotic bazaars the place thorough searching usually resulted in finding out-of-print and restricted editions. (My favourite discover is a beautiful royal blue linen certain and richly illustrated copy of the Bible.) Pristine and decaying books alike deserve appreciation and preservation, some extent Outdated Stacks makes efficiently.

Abdur Rahman Chughtai, illustration and illumination in Muraqqa-i-Chughtai (1928)

Outdated Stacks, New Leaves: The Arts of the Ebook in South Asia (2023) edited by Sonal Khullar is revealed by the College of Washington Press and is out there on-line and in bookstores. 

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