Sunday, June 23, 2024

Spikes, Interlocked Rings, and Daring Bulges Sprout from Megan Bogonovich’s Otherworldly Ceramic Botanicals — Colossal

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Artwork

#ceramics
#flowers
#Megan Bogonovich
#sculpture

Two otherworldly botanical sculptures

All photographs © Megan Bogonich, courtesy of Kishka Gallery & Library, shared with permission

“There’s a tree on my highway that has been lower very unusually to accommodate an influence line, and I take into consideration that tree loads,” says Megan Bogonovich, who envisions the otherworldly potential of human contact on the surroundings by way of playful, botanical sculptures.

Primarily based in Norwich, Vermont, Bogonovich acknowledges nature’s immense functionality for adaptation and power in seemingly inhospitable areas. “The entire dandelion rising out of a pavement crack factor,” she says. Her works embody transformation and ample progress, and strange colours, shapes, and textures come up in surreal mixtures. With bulbous bases, spiked protrusions, and interlocked petals, the works think about “the batty potentialities of what could possibly be rising within the universe or what may be the very first thing to sprout up after an environmental catastrophe.”

Rooted in play and the “ceaseless goofiness” of replica, the sculptures evolve all through a prolonged course of. Bogonovich begins by hand-building small geometric and natural varieties like cones, tubes, ovoids, and textured patches made with drilled holes, cuts, and on a regular basis objects like buttons, which she then casts in plaster to make a mould. “If I forged 30 molds someday, by the subsequent day I’ve a set of slip-cast tinkertoy-type elements that I can alter and bend or duplicate. It’s lots of labored build-up to get to some extent the place I can work spontaneously and impulsively with a fabric that will in any other case need planning,” she says. 

 

An otherworldly botanical sculpture with open flowers and one large head on the left

These malleable varieties are then fired and readied for glazing, a gradual, meticulous course of that entails a number of layers and bouts within the kiln at various temperatures. “The sculptures are matte white once they first come out of the kiln. I let lots of items construct up earlier than I begin glazing,” Bogonovich says. “I get used to being surrounded by ghost flowers, so when the tide modifications to paint it looks like a giant shift within the studio.” Like nature, glazing is unpredictable, and the pastel pinks, daring oranges, and mottled hues add a whimsical, playful ingredient to the works. “I stay within the woods in Vermont, and right now of yr, there’s a lot inexperienced. It’s good to think about shiny yellow tree trunks or sizzling pink maple leaves,” she says. 

Bogonovich works with Kishka Gallery & Library, the place she not too long ago held a solo present, and has sculptures on view by way of Could 20 at SPRING/BREAK Artwork Present in New York. Discover extra of her items on her web site and Instagram.

 

An otherworldly botanical sculpture with a flower and two orange orbs near the base

Two otherworldly botanical sculptures

Four photos, each of a single otherworldly botanical sculpture

Spikes on the left and a glimmering flower on the right of a surreal botanical sculpture

A group of otherworldly botanical sculptures

#ceramics
#flowers
#Megan Bogonovich
#sculpture

 

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