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Artwork
#marquetry
#Olivia De Bona
#crops
#straw
“L’heure Rouge.” All photographs © Olivia De Bona, shared with permission
By way of glimpses of stylish interiors lush with crops, Paris-based artist Olivia De Bona celebrates the wonder and contours of the feminine physique. Her straw marquetry—the method of making use of skinny layers of fabric (often veneer) to a floor—provides pure texture, variegation, and historic relevance to such intimate and decadent scenes. Referencing Romanticism and the Vietnamese wooden carving traditions of her ancestors, the works require “persistence, and an incalculable variety of hours, that permits me to dive out of time and brings me again to one thing very concrete, actual, removed from the well-known, going through myself and in tribute to all the ladies artisans to the forgotten work,” the artist says.
On view now at BEERS London, De Bona’s newest physique of labor reckons with voyeurism, implicating the viewer from the outset. Sensuous and closely stylized, the items largely depict nude ladies unaware and in a second of passing, proven by means of components like “a hidden passage, a doorway, a transition from one state to a different the place we will peek at what’s hidden and what’s revealed,” the artist shares. The exhibition is titled Le Panache, a time period that at present signifies flamboyant confidence and that traditionally denotes an elaborate headdress, the latter of which is recalled within the fiery crimson feathers of “La Poule.”
De Bona is drawn to this sense of “reckless braveness” that “rework(s) all ladies into goddesses. I put my loving and tender search for all her our bodies, all her varieties,” she says. Many of those latest works have been impressed by the artist’s buddy, knowledgeable dancer who joined her within the studio to carry out. “This has little or no to do with voyeurism and is absolutely about tenderness,” De Bona shares. “A connection between individuals, between ladies, permitting house for dialogue and creativity. There was a really uncooked connection between her actions in my house and my craftsmanship in relation to my work.” Every inside is lavish and ripe with crops, stone tiles, animals, and comfortable locations to relaxation. Obscured by a half-opened door or fern entrance, these home areas are fertile, providing room for contemplation, solitude, and creativeness.
A number of works proven listed here are included in Le Panache, which is on view by means of June 10. For extra of De Bona’s marquetry, murals, and different initiatives, go to Instagram, and discover prints in her store.
“Sieste crapulence 5pm” (2022), straw marquetry, acrylic, and pigmented clay on wooden, 61 x 50 centimeters
“Le Bouquet” (2023), acrylic, pigmented clay, and straw marquetry on wooden, 60 x 42 centimeters
“La Poule” (2023), acrylic and straw marquetry on wooden, 73 x 60 centimeters
Element of “Le Bouquet” (2023), acrylic, pigmented clay, and straw marquetry on wooden, 60 x 42 centimeters
Left: “Un Lengthy Dimanche” (2022), acrylic and straw marquetry on wooden, 68 x 56 centimeters. Proper: “La Toilette” (2021), 50 x 100 centimeters
Element of “Un Lengthy Dimanche” (2022), acrylic and straw marquetry on wooden, 68 x 56 centimeters
“Le Boudoir”
#marquetry
#Olivia De Bona
#crops
#straw
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