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You instantly perceive whenever you stroll into Drawings 2003–2023, an attractive show of Jonas Wooden‘s drawings and works on paper during the last 20 years, that you’re a big life’s work to this point. Wooden has lengthy been located in reminiscence and house, and the best way that he makes use of the house of Karma’s East 2nd Road gallery in NYC appears revelatory. The framing place virtually acts like the best way we consider memorites, with sure components of growing older rising as bigger ideas and a few childhood collectibles form of caught in between. It’s like we’re seeing how Wooden’s mind is working via the method of his life.
And there are playful components right here, as effectively. You see baseball playing cards, still-lifes drawn at museums, household, mates, gardens, houses, interiors and exteriors. The world is barely tilted right here, not fairly centered or aligned, however that fantasy can be a play on reminiscence. There may be additionally one thing deeply honest, because the prolific nature of Wooden’s output is a necessity to recollect all of it, attempt to make each second a pinnacle or one thing particular even when ever so mundane. However there’s nothing banal or easy in Wooden’s world, simply the magic of capturing a fleeting thought. And on paper. —Evan Pricco
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