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Loyal Gallery in Stockholm is about to shut Tania Marmolejo‘s What Was Saved from the Fireplace, a solo exhibition of twelve oil work put in over two flooring of the gallery. Earlier than the present comes down on July 8, we needed to share Tania’s essay concerning the present, which you’ll be able to learn under.
I’ve typically been requested which of my possessions I’d save from a hearth, and with out hesitation I reply “My grandmother Elsa’s sketchbook”. It’s surely the possession that’s most hooked up to me emotionally, a compilation of drawings made by my Swedish maternal grandmother Elsa when she was a younger teenager, instructing herself how to attract.
I sadly by no means met Elsa, she died earlier than I used to be born. Fireplace is what tragically took her life, however hearth can also be the fervour she had for artwork, that I really feel received handed all the way down to me and has linked me to her in some ways. I used to be at all times fascinated by her drawings since I used to be slightly woman, they usually have been the most important affect in my very own want to attract and paint. And although she was additionally a painter and mastered her craft, it was her sketchbook stuffed with cartoons that captivated my consideration probably the most.
A annoyed artist, Elsa wished as a younger girl that she might have studied artwork in Stockholm, however the financial and gender boundaries of the time prohibited her from doing so. Rising up in a house that absolutely supported my very own creative passions, and being allowed to review and to pursue artwork as a profession, I really feel I’m now fortunately chargeable for carrying on her dream in some way. I really feel extremely humbled and proud that I’ve the possibility to indicate a few of my favourite of her sketches subsequent to my work, (in Stockholm!) and present how her story has come full circle.
The work I created for this exhibition replicate a nostalgia for my childhood summers spent in Sweden, the completely happy recollections that join me to my mom and grandmother’s homeland. I’ve added a few her little drawings to a couple work of mine to indicate the presence they’ve at all times had. Taking reference from previous pictures in using colour and temper, and in addition from the recollections and feelings that come from these moments, I’ve created an emotional and psychological dialog with Elsa (and hopefully with the viewer), of experiences I’d have appreciated to have shared along with her, an acknowledgement of what her artwork and being linked to Sweden at all times meant to me, and an appreciation of how life may be such a fragile, fleeting, stunning factor. –Tania Marmolejo, Could 2023
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