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Richard Heller Gallery is happy to current a solo exhibition for London-based artist, Max Rumbol, entitled Give Me a Fulcrum and I Shall Transfer the World. That is Rumbol’s first solo exhibition with the gallery.
Max Rumbol’s assemblages transcend the practices of sculpture, wooden carving and portray bringing the outcome into a novel mix of craft and excessive artwork. The works within the present largely mirror on artistry and authenticity, exploring the dialogue between artwork objects and the historical past or myths that encompass them, drawing parallels to Isaac Newton’s epiphanic story of the invention of gravity. Rumbol’s process-based works develop reasonably slowly – his method considerably at odds with the notion of the ‘Eureka second’ referenced within the imagery. The works start as pencil sketches which progress into digital drawings, lastly reproduced and remodeled right into a bodily assemblage via a course of involving laser slicing, digital printing, collage and portray. The works significantly mirror on floor and its relationship to the digital house and the display, with Rumbol manually working the planes in numerous methods to disclose or cover the hint of the artist and the machine’s hand. In doing so, a dialogue is created the place one can query what the artist’s function is or the place their hand lies.
These works all take the free type of a tree – reflecting on each the artwork historic trope and the concept of folklore and reminiscence. From Caspar David Friedrich to Albert Oehlen, artists have at all times thought of bushes to be of significance, reflecting on the histories and tales they each witness and inform as constants in an ever-changing panorama. The bushes on this present function considerably like pivots, offering the assist for the artist to totally discover the potentialities of portray, enjoying with gesture, texture, objects and aid. The layered nature of the works each engages with the lengthy historical past of labored and reworked surfaces inside abstraction, in addition to the layers of bark a tree accumulates via its life cycle. The dialog between the fragmented and disparate surfaces and components helps to create a rigidity which echoes the best way artwork is skilled in individual versus the best way during which it’s circulated through the display.
Rumbol (b. 1997) obtained his BFA from the Ruskin College of Artwork on the College of Oxford, England. He at present lives and works in London.
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