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From October till December 2022, Coco Capitán lived in Kyoto as a part of Kyotographie’s artist-in-residency program. Throughout that point she created her sequence Ookini, about youngsters and younger folks residing in Kyoto.
Capitán used her movie digital camera to painting folks from all types of backgrounds, from a future kama grasp, the son of a kyogen performer, daughters of a doll maker, zen monk college students, maiko, and different folks whose every day lives are rooted in conventional tradition, to school and highschool college students and different younger folks she met by probability as she rode her bicycle round Kyoto. To everybody who agreed to assist her along with her sequence, Capitán expressed her gratitude with the Kansai phrase for Thanks: Ookini!
Along with effective artwork, Capitán collaborates with numerous vogue manufacturers and corporations on industrial work. Utilizing her freedom of expression as an artist, she doesn’t draw back from working within the capitalist market – quite the opposite, she says this strategy has helped broaden her vary of prospects and expression. She works in quite a lot of genres and media, together with portray, pictures, and poetry, and actively experiments with various strategies to attach straight along with her viewers, as if to supply everybody with their very own distinctive entrance to her physique of labor.
The younger technology of Kyoto, whom Capitán photographed freely, in her personal manner. Individuality and cooperation, made seen by conventions embedded in custom and vogue. Is that this not the character of communities the place folks settle for one another? Capitán’s writings, her unvarnished ideas and emotions, penned with out regard for any guidelines, could gently open the lid of the hearts of people that hesitate to specific their very own emotions.
Ookini was created with the help of the Loewe Basis and is on view at Kyotographie Pageant in Kyoto from 15 April – 14 Might 2023.
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