Friday, June 13, 2025

Artist Amra Causevic Addresses the Baggage of Pressured Migration – ARTnews.com

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Artwork in America’s Summer time 2023 New Expertise situation features a collection of interviews with 5 New York–primarily based artists to observe. A.i.A. senior editor Emily Watlington and picture editor Christopher Garcia Valle visited every artist of their studio to be taught extra about their art-making course of, inspirations, and influences. Under, in an edited model of the dialog, Amra Causevic talks concerning the “sensual and cathartic” feeling of pouring paint and soothing herself through her observe.

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My present physique of labor offers with involuntary migration and materiality. Lots of my work is autobiographical. I used to be born in Bosnia, and got here to the US as a struggle refugee within the ’90s. The Balkan area has all the time been a spot of struggle and empire adjustments. It’s by no means actually had a steady id, but it surely nonetheless looks like residence.

My dad’s aspect of the household migrated from Turkey to Bosnia via a number of empire adjustments, and each time they moved from place to put, they had been kicked out, normally for non secular causes. It made me take into consideration the fabric baggage and the historic baggage that we stock.

I make sculptures out of objects I accumulate from the streets. Hauling supplies within the metropolis has all the time been a problem. How do you carry lumber on the subways? I simply stroll across the neighborhood and discover issues spontaneously: possibly stacks of egg cartons, or some little yellow plastic factor that clearly belonged to somebody. I discover myself questioning the place these items got here from, what their historical past is.

I undoubtedly have a bizarre obsession with objects. These days I’ve been embedding them in vessels: you’ll see all types of supplies, salt and pepper, glass, hair. I prefer to think about folks digging them up 1,000 years from now.

I’ve additionally been emulating objects of antiquity, particularly rugs and pottery. On relic (35.3658650, -10.1964504), 2021–22, I collaged a vinyl image of Poseidon that I procured from the New Museum, the place I work as an artwork handler. They had been simply going to throw it away, however I assumed it was so lovely!

I began making rugs after taking part in round with pouring paint on the bottom, then peeling it off. I’ve used these sorts of paint skins in performances and nailed them to partitions, however over time, they begin to crack. So I began including material to stabilize them, they usually kind of changed into tapestries and rugs. Typically I draw inspiration from Slavic people patterns.

When pouring paint, you don’t essentially have management. It feels sensual and cathartic. Perhaps, after I peel it off, I’ll determine the again ought to be the entrance. Then I’ll begin incorporating the fiber and embedding rubbish, and finally ask, How do I make this much less chaotic? Typically I begin with a sketch, however my course of is intuitive. It’s all about trial and error, and discovering options.

The works are each heavy and humorous: I’m eager about issues like struggle, but in addition, how do I soothe myself? How do I create a future? For me, the purpose of creating artwork is to gasoline my infinite curiosity and to get excited concerning the little issues.

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