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Agnes Denes’s exhibition “Eco-logic—Philosophy within the Land” facilities on Rice/Tree/Burial with Time Capsule, the artist’s first realization of what she termed “eco-logical” public artwork. The piece was initially executed in Sullivan County, New York, in 1968, as a non-public ritual that comprised three actions: sowing rice seeds, binding timber with heavy chains, and burying haikus written by Denes. The exhibition begins with 9 photographs which can be the one current documentation of this model of the work. On the opposing wall, a diagram particulars the three phases as they relate to Denes’s interpretation of Hegelian “triangulation:” thesis, antithesis, and synthesis.
A reenactment of the undertaking happened from 1977 to 1979 at Artpark in Lewiston New York, fifty meters from Niagara Falls, with an addition to the unique ritual: a time capsule scheduled to be opened in 2979, making certain the contributors’ responses would surpass their and her human existence. Inside, there’s a questionnaire titled “Pricey Homo Futurus” about morality, high quality of life, and the long run, with solutions from college students from world wide.
One photographic work that localizes Hungarian-born Denes in Budapest is Isometric Methods in Isotropic Area—Map Projections: Pyramidal Projection (Budapest model), 1973/2018. First executed in New York in 1973, the piece represents the town by photos taken from the point of view of every of the 4 cardinal instructions. The Budapest pyramid depicts darkish woods within the west, a sole tree within the south, corn fields within the east, and the flowing Danube within the north, whereas the bottom is a picture of the cobblestone pavements typical of the town—the identical discovered within the gallery’s courtyard.
Though Denes’s extra recognizable works, reminiscent of Wheatfield, 1973, or Tree Mountain, 1992/2013—documentation of which is current on this exhibition—have gotten extra acquainted in her house nation, her items are nonetheless neglected by public collections. This presentation of Denes’s lesser-known initiatives is a vital step towards bringing her pioneering work nearer to the native scene.
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