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The College of Manchester’s Whitworth Artwork Gallery has introduced Sook-Kyung Lee as its subsequent director. Lee will arrive to the British establishment from London’s Tate Trendy, the place she serves as senior curator of worldwide artwork. She is going to assume her new place in August, at which period she’s going to change into the college’s honorary professor of transcultural curating. Lee fills the position left vacant after the Alistair Hudson was ousted as director of the Whitworth in February 2022 for permitting a press release of solidarity with Palestine, a part of a piece by the Turner Prize–successful investigative company Forensic Structure, to look in an exhibition there.
Nalin Thakkar, Manchester College’s vice-president for social accountability, expressed her delight at Lee’s arrival, noting in a press release that it provided “a unbelievable alternative to construct on the Whitworth’s worldwide renown as a number one cultural establishment, while working intently with the College, town of Manchester, our neighborhood companions and different stakeholders to strengthen its present focus and discover new thrilling instructions for the long run.”
Among the many exhibitions Lee curated whereas at Tate are “Richard Bell: Embassy” (2023), “A 12 months in Artwork: Australia 1992” (2021–23), and a serious survey of the work of Nam June Paike (2019–20), which subsequently traveled to establishments in Europe, Asia, and the US. Since 2019, she has helmed a collaborative analysis initiative between Tate and Hyundai Motor aimed toward investigating international artwork histories from new views. In 2021, she was named inventive director of the Fourteenth Gwangju Biennale, which opened in April.
“It’s a enormous honor for me to take up the position of director on the Whitworth, some of the modern and audience-focused artwork establishments within the UK and internationally,” mentioned Lee in a press release. “I’ve admired the Whitworth’s dedication to work with native communities and to make use of artwork for optimistic social change. I want to additional develop the gallery in its inventive rigour and social impacts and to widen its international connections, together with the gallery’s devoted workers and the College of Manchester.”
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