The Candid Visible Storytelling of Jojo Lee

Jojo Lee, a Korean-American graphic novelist and illustrator based mostly in Brooklyn, New York, has been making waves within the business not only for their explosively colourful and detailed drawings but in addition their outspoken and hilarious social media presence. Final December, when Epic Video games, the developer behind Fortnite — the favored on-line sport with a multibillion-dollar internet price — provided them a mere $3,000 for a customized sport illustration and its copyrights, Lee referred to as the gig “hilarious” on Twitter after which referred them as “Fartnite®” when addressing how the compensation was unsustainable.

Each of their on-line persona and of their gorgeous works of visible storytelling, Lee walks the superb line of understanding their price whereas additionally not taking themselves too critically by a selective candidness that’s each empowering and grounding.

There’s a candidness of their method to gender exploration and identification as effectively. Lee, who’s nonbinary and makes use of they/them pronouns, is loud and proud about their journey towards and experiences of gender identification and presentation. However it wasn’t all the time this fashion for Lee, as depicted by their just lately revealed graphic novel memoir In Limbo (2023). The graphic novel particulars the illustrator’s navigation by psychological well being issues, self-worth points, and “difficult relationships” between 2010 and 2014 whereas they have been attending highschool in northern New Jersey. Having moved from Seoul, South Korea, to the US at a younger age, Lee was located within the murky gray space of non-Korean and non-American, chatting with the guide’s title in simply certainly one of a number of methods.

In Limbo follows Lee’s teenage years, again once they have been figuring out as Deborah “Deb” Jung-Jin Lee (“My mother and father beloved the 90’s,” Lee informed Hyperallergic, additionally noting that their brother’s identify is Brad) and utilizing she/her pronouns. Maneuvering by the adversities of loneliness, rejection from each cultures, sophisticated relationships along with her mother and father, and educational struggles, Deb exhibits us a lifetime of eager for issues to get higher whereas she is caught with herself and struggles to seek out her company.

By monochromatic however painstakingly rendered and expressive panels throughout 350 pages, Lee presents an uncomfortably relatable retelling of tri-state-area-coded microaggressions, flunking honors physics even with the additional assist (solely actual ones will perceive), the jarringly risky nature of Asian immigrant parenting, and the day-to-day dredge of life with melancholy and never assembly expectations.

Drawn utilizing Procreate on an iPad, Lee’s moody, tonal panels depict each actual and imagined conversations between Deb and her family and friends and folks she encounters on the day by day. With a spread of tales as benign as making an attempt to flee the grape-flavored toothpaste on the dentist to hard-hitting moments about grade-induced panic assaults and interpersonal conflicts, Lee’s sequential imaging finds its strengths in softness and texture. Each facial features, coiffure, and article of clothes is as gently and lovingly thought of because the environments Lee’s characters exist in, as that very same consideration is proven within the renderings of bushes, structure, and on a regular basis objects. Lighting, climate, and floor textures are important parts for Lee’s narrative method, and never a single element is spared.

Whereas In Limbo doesn’t outwardly tackle Lee’s queerness, it’s implicitly threaded all through the narrative whether or not or not the illustrator meant for it. It’s seen in Deb refusing the nickname “Debbie,” it’s manifested of their stereotypically masculine Korean identify Jung-Jin, and truthfully, and maybe this can be a projection, it’s form of simply canonized by Deb’s inner monologue and the way she behaves.

“I imply, I actually posted this Fb standing in 2010 that stated ‘Is feeling mentally genderless,’” Lee informed Hyperallergic whereas reflecting on their gender identification and expression all through highschool. “Clearly no one appreciated it, however there have been a whole lot of components in my life the place I simply felt like I don’t take pleasure in being a lady, however I do know I’m not like a boy, both.”

Lee unashamedly shares and processes among the darkest moments and hardest truths of their life, together with two suicide makes an attempt, enduring their mom’s bodily and emotionally violent outbursts coupled with loving moments and real curiosity in supporting their inventive endeavors, and a quintessentially devastating good friend breakup. All of those painful occasions chip away at Deb, who was as soon as frozen in a depressive purgatory — however within the yielded vacancy was area to be taught and develop into activated. We get to see Deb start to heal and develop assured by their art-oriented relationships, by studying to simply accept what can and can’t be modified, by detangling their internal turmoil with the assistance of a therapist, and make strides in turning into the Jojo Lee earlier than us.