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Artwork
Design
#chairs
#furnishings
#sculpture
#Tatiane Freitas
All photos © Tatiane Freitas, shared with permission
Hitting peak reputation within the mid-Twentieth century, acrylic furnishings—typically branded as Lucite—represented a recent, fashionable tackle historically purposeful objects, from tables to headboards to kitchen chairs. The clear thermoplastic can simply steal the present in a room, drawing consideration to its personal silhouette and contrasting the furnishings that encompass it. São Paulo-based artist Tatiane Freitas faucets into the legacy of the fabric and the connection between previous and current in her ongoing My New Outdated Collection.
Redolent of kintsugi, a Japanese philosophy that embraces breakage and restore as a part of the historical past of objects, Freitas molds strikingly clear replacements for chair arms, spindles, and seats. The artist “goals to discover the dynamic between the previous versus current, outdated versus younger, and the way this stress could be offered in a bodily state,” she says in a press release. The plastic matches exactly into place and mirrors its picket counterparts, creating an impact that’s each strong and spectral.
Freitas has not too long ago translated her full-size sculptures into miniature variations that seem to drift on the wall, a number of of that are at present on view at Man Hepner in New York Metropolis by means of the tip of this month. You can even discover extra work on the artist’s web site and Instagram.
“The Ripple Impact”
“The void created”
#chairs
#furnishings
#sculpture
#Tatiane Freitas
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