Monday, November 10, 2025

Sarah Conti’s Expressive Ceramic Birds Migrate By Social and Environmental Points — Colossal

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Artwork

#animals
#birds
#ceramics
#local weather disaster
#Sarah Conti

An installation of realistic ceramic birds on a wall.

Element of “(Im)Migration.” Photograph by Rio Chantel. All photos © Sarah Conti, shared with permission

In Latin, memento mori interprets roughly to “bear in mind you’ll die” and has been used as a visible trope employed in artwork for hundreds of years, usually within the type of a cranium. In Seventeenth-century Vanitas still-life work, different symbols like hour glasses, clocks, extinguished candles, fruit, flowers, or sport animals had been added as a continuing reminder of the fleetingness of life. For artist Sarah Conti, the character of existence is as a lot a topic because the avians she sculpts. Present in delicate stability inside their more and more imperiled habitats, she says, “[Birds] can’t evolve on the price we’re altering the world.”

Surrounded by relations who had been avid birders, the artist traces her curiosity within the feathered creatures to childhood. The extra she realized, the extra she admired how birds have captured humankind’s creativeness. Afterward whereas enrolled on the College of Montana in Missoula, the onset of the pandemic made the varsity’s studio areas inaccessible, prompting her to be open air extra usually. She says, “On a regular basis I used to spend within the studio transitioned into time spent in wetlands and woods searching for birds. I had the time and entry to see many new species, and it ignited a lot curiosity and marvel in me.”

 

An installation of realistic ceramic birds on a wall.

“(Im)Migration.” Photograph by Rio Chantel

In 2020, Conti started to consider extra in regards to the human impression on the surroundings, in addition to political and social points, discovering that the ubiquity of birds—and our infinite fascination with the avian world—introduced an apt approach to specific important issues. She hones in on the connection between magnificence and discomfort, highlighting dualities of presence and absence or the seen and unseen. For instance, “Misplaced Historical past of Girls” illustrates how ornithological research has typically targeted on males, paralleling the way in which ladies have been omitted from human report.

Conti shapes distinctive birds from clay, usually making dozens at a time for large-scale installations. For “(Im)Migration,” she made 75 items in about 75 days, which had been then given a floor remedy earlier than being fired within the kiln. Whereas every particular person element can stand by itself as an unbiased work, Conti says, “I’m very fascinated with making set up sculpture as a approach to inform a bigger story, to speak in regards to the massiveness of those points, and to make the viewer really feel enveloped within the work. I need viewers to consider the way it pertains to their presence and their position in these points.”

Audubon lately commissioned a chunk that can be featured quickly within the quarterly’s ongoing collection known as The Aviaryand subsequent March, Conti can be part of Radius Gallery’s ninth Annual Ceramics Invitational. Discover extra on her web site and Instagram.

 

An installation of realistic ceramic birds on a wall.

Element of “(Im)Migration.” Photograph by Rio Chantel

An installation of realistic ceramic birds on a wall.

Black-necked Stilt, element of “(Im)Migration.” Photograph by Rio Chantel

An installation of realistic ceramic birds on a wall and a pedestal, connected by threads.

“A(n Extinction) Fable for Tomorrow”

An installation of realistic ceramic birds on a wall.

Element of “A(n Extinction) Fable for Tomorrow”

An installation of realistic ceramic birds on a pedestal.

Element of “A(n Extinction) Fable for Tomorrow”

Two detail images of an installation of realistic ceramic birds on a wall and a pedestal, connected by threads.

Two particulars of “A(n Extinction) Fable for Tomorrow.” Left: Frequent Nighthawk and extinct Eskimo Curlew. Proper: Extinct Carolina Parakeets

An installation of realistic ceramic birds standing on individual wooden shelves. The female bird is portrayed standing on top of the male of the species.

“Misplaced Historical past of Girls”

A ceramic sculpture of a female pheasant standing on a male pheasant.

Ring-necked Pheasant, element of “Misplaced Historical past of Girls”

A ceramic sculpture of a female Red-naped Sapsucker standing on a male.

Purple-naped Sapsucker, element of “Misplaced Historical past of Girls”

A ceramic sculpture of a female Redhead duck standing on a male.

Redhead Duck, element of “Misplaced Historical past of Girls”

#animals
#birds
#ceramics
#local weather disaster
#Sarah Conti

 

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