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In a Guardian essay printed Friday, South Korean scholar Noh Hyun-soo defined his determination to eat the banana that constitutes Maurizio Cattelan’s Comic (2019).
Hyun-soo made headlines when he visited Seoul’s Leeum Museum of Artwork on April 27 and selected to work together with the Cattelan sculpture in a decidedly uncommon method. He wasn’t the primary to devour this work—artist David Datuna additionally did so throughout the debut of Comic at Artwork Basel Miami Seashore in 2019—however his stunt provoked a brand new degree of fascination with the piece.
When Perrotin gallery premiered Comic 4 years in the past, the piece offered for $120,000. Composed of little greater than a banana duct-taped to a wall, the piece was in the end faraway from Perrotin’s Artwork Basel sales space attributable to security issues. Earlier this month, Cattelan received a copyright infringement lawsuit that centered across the work.
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Cattelan’s artwork commonly provokes controversy, with previous works involving a kneeling miniature Hitler and a sculpture of the Pope felled by a meteorite. However, in his Guardian essay, Hyun-soo mentioned that he didn’t know a lot about Cattelan previous to consuming the banana.
“I’m not aware of Cattelan’s work, aside from the banana,” Hyun-soo wrote. “I feel Comic might be thought of a murals, aside from the ridiculous worth. However there shall be totally different opinions. I’ve by no means met him, so I don’t actually know what he considered my consuming the banana, however I learn an article through which his response was ‘no downside in any respect’.”
He took the chance to answer some information reported by the South Korean press after which reiterated internationally. He mentioned he was not an artwork scholar (“I’m truly learning non secular research and aesthetics at Seoul Nationwide College”) and that he didn’t ingest the fruit as an intentional protest or as a way of whetting his starvation (“I feel it’s as much as the general public to resolve on that”). He didn’t accomplish that in a wierd method both, he clarified, writing, “I ate it as I’d usually eat a banana. No person tried to cease me.”
However he did say that one frequent studying of the occasions was right. “Some folks see my banana consuming as merely vandalism. Others say it was performed for publicity – and I agree. The act of damaging another person’s art work has made me well-known. I used to be an unusual particular person, and now because of the ‘comedy’ of consuming a banana, I’m within the Guardian.”
After which, for some cause, there have been additionally musings on AI and the way forward for artwork.
“I’m graduating from college this yr. After my research, I need to create my very own artwork,” Hyun-soo wrote. “I’m very all in favour of synthetic intelligence work, and it might be enjoyable to precise the non secular elements of the east by way of AI. I consider AI work will steadily encroach on all our lives. I’m curious and fearful about what the long run holds, although artworks pushed by philosophical insights encourage me.”
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