[ad_1]
“He went for the Guston. He stayed for the Wautier.” That’s the approach that Half Gallery‘s Invoice Powers describes the works of Nicasio Fernandez and his solo present, Out of Hand, on the NYC gallery that opens this week. Someplace alongside the best way to seeing Philip Guston Now at Boston Museum of High-quality Arts, Fernandez roamed down a hall on the museum and got here throughout the seventeenth century artist Michaelina Wautier, and that struck the NYC artist.
“The 5 Senses struck me visually as this very compelling imagery. I used to be so impressed along with her assured mark-making from how the clothes was constructed to her general playful, witty and darkish humorousness,” recollects Fernandez. “This sensory concept was relatable and transported me into her time and place. I knew from standing in entrance of Wautier’s work that I needed to reply. I needed to push these moments into the poetic absurdity that my very own work is constructed upon.”
So the place Fernandez is now’s a mix of the previous masters, the mid-century giants and a kind of lowbrow, pop-surreal universe the place this journal was based. You possibly can see a little bit of R.Crumb via the lens of a New Yorker, and Fernandez makes artwork historical past solely his personal. They’re humorous and a bit darkish, morose however uplifting. In a world that usually appears like a comedy of errors, Fernandez is pulling an aesthetic string that’s centuries previous and a lot so, modern. —Evan Pricco
[ad_2]
