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Step into the fascinating world of Van Leo, the late Armenian Egyptian photographer whose enigmatic pseudonym led him to turn out to be one of many Arab world’s most celebrated studio photographers from the Forties to the Nineteen Sixties. Changing into Van Leo on the Hammer Museum marks the primary worldwide survey of his exceptional work, tracing his creative evolution from the Nineteen Thirties to the Nineteen Nineties.
Born Levon Boyadjian in Turkey in 1921, Van Leo’s household later moved to Egypt, the place he discovered his ardour for pictures. The exhibition takes us on an interesting journey, beginning together with his early experiments utilizing family and friends as fashions within the Nineteen Thirties. Within the Forties and Nineteen Fifties, Van Leo turned the lens on himself, exploring self-portraiture with exceptional creativity.
By means of his studio work, extending properly into the Nineteen Nineties, Van Leo’s artistry shines, blurring the boundaries between artwork and craft. His life and work embody a wealthy tapestry of influences, reflecting his diaspora story and cosmopolitan experiences. The retrospective presents a novel alternative to delve into the complexity of this transnational and intersectional artist, difficult typical notions of East and West.
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