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Annoyed with how her pictures appeared solely able to recording what was in entrance of the digital camera, over the past twenty years, Sarah Anne Johnson has devised completely different methodologies to make use of her pictures as a degree of departure. By manipulating the {photograph}’s floor, Johnson creates one which higher communicates her impressions to the viewer. On this manner, Johnson says she creates a extra “sincere picture” by depicting “not simply what I noticed, however how I really feel about what I noticed.”
Her 2019 exhibition at Bulger Gallery entitled “This Land” caught her on the tail finish of a collection entitled “Rosy Fingered Daybreak” and the beginning of “Woodland.” Within the former, Johnson depicted nationwide parks in a state of disaster, threatened by our use and abuse of these landscapes. Whereas taking a breather from the magnitude of that calamity, she went tenting in a wooded space in her native Manitoba. Johnson returned to her studio intent on making work that was extra celebratory and calming. The exhibition was the primary public launch of this new work, entitled “Woodland.” Johnson continued down this path throughout the pandemic, eager to supply audiences a respite from the chaos of the pandemic.
In “Woodland,” Sarah Anne Johnson interrogates the truthfulness of the picture via her depictions of nature within the forests of Manitoba, close to Winnipeg. Knowledgeable by Indigenous information and understanding of the land, the sacred high quality of timber, and fashionable scientific analysis that understands vegetation as social creatures in a position to talk with one another, Johnson’s mixed-media interventions amplify the chic and metaphysical qualities of the pure world. Via interventions of oil paint, holographic stickers, and dyes on the floor of pigment prints, Johnson reaches past what’s seen in nature to depict what’s felt by people, vegetation, and woodland creatures. Herein, Johnson successfully reorients historically anthropocentric perceptions and representations of panorama and nature with ample use of geometric shapes and prismatic colour.
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