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There’s a palpable thickness within the flesh that Magda Kirk paints. Her nude characters emerge, tattooed, by a smoky haze, like goals within the night time, as they faintly fade off the canvas. However with rippling muscle groups and an influence that defies the haze, Kirk beckons you to the touch and really feel every work. The Polish painter makes use of colours that make you wish to take a chunk out of that flesh, like some toothsome cotton sweet. However these are simply surface-level observations. Kirk is digging deeper, experimenting with layers of visible obstruction that present characters within the means of self-discovery, awakening, and understanding how the physique as a vessel strikes by the world.
In a present in 2022 at GR Gallery in NYC, it was famous that her blurry and partially fashioned characters fairly aptly might convey a way of absence and the unfinished. That dichotomy remains to be at play in Magda Kirk’s new solo present, CLOSER, this summer season at GR’s Decrease East Facet area. Magda has kneaded the flesh extra deeply with these our bodies, as every seems to be wanting on the mirror and seeing a kind that’s wrought with cultural expectations. But in addition there’s a vulnerability, the truth of seeing the self as a piece in progress. The tattoos on the flesh are reminders of an inside monologue, and the flexing of the muscle groups is the physique gaining endurance. “I typically get shocked by our bodies. I feel it is a bizarre expertise to have a physique,” Kirk as soon as stated about her work. And in that straightforward honesty, an apparent but not often understood that means of dwelling in a physique, the work solutions probably the most complicated of questions for us. —Evan Pricco
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