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In O., acclaimed Dominican-American artist Luis Alberto Rodriguez strips down his choreographed, embodied method to images by means of a collection that explores the free-fall of life, the development of id, and their connections with religious future. Influenced by French mystic thinker Simone Weil, Rodriguez attracts a line between his stripped-down portraits and Weil’s life’s work, searching for purity and the connection between struggling and transcendence. The title of the e book – the letter O – speaks to this transcendence – between a noise, a puff, an exhale, a cycle, all sounds, an open image, a zero, a reset.
Utilizing a solid of various our bodies, ages, backgrounds and identities, Rodriguez sculpts a collection of nudes oscillating between energy and a lack of management. Rodriguez challenges his topics to let go: our bodies contort and collapse whereas returning to poise, lifting to grace, and reaching into purity. How a lot management do we have now over the course we’re headed? How gentle is the touchdown?
Rodriguez frames his placing nudes in dialogue with pictures of tasseography – the observe of divination by means of coffee-cup studying that runs by means of Rodriguez’s Dominican heritage – to spiritually interact with the drive and fantastic thing about those that seem, and disappear, earlier than his digicam. O. envokes the volatility of our present second, our states of self-preservation, and the longer term that’s but to come back.
O. is revealed by Free Joints.
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