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Serena Mitnik-Miller is understood for her minimalist geometric compositions of interlocking patterns, strains, and natural, concentric shapes. She deftly makes use of delicate gradations of nature-inspired shade — earth tones, grays, elemental blues, and greens — to recommend a type of rhythmic liminal area, motion, and ongoing transition. Paradoxically, the compositions supply a way of stillness as effectively.
For Journey at Sarah Shepard Gallery, Mitnik-Miller dives deeper into her exploration of the sq. format, discovering the probabilities of exploration inside a constantly sized body. Fairly than confining or limiting, the sq. gives Mitnik-Miller the prospect to play with balanced proportions, to reimagine designs or concepts that may earlier have been set inside a rectangle. The consistency of format creates connection however exhibits how completely different every particular person piece may be. Equally, she varies the quantity of pigment in her colours, oscillating between barely there to deeper, extra pronounced, discovering a way of management throughout the notoriously elusive medium of watercolor.
Mitnik-Miller’s works evoke the pure world she chooses to dwell, work, and play inside, reflecting the colours of California’s distinctive setting. The earth tones are impressed by the sandstone she lives amongst and greens by the ample spring in California from rain. A surfer, she’s viscerally influenced by water, sand, and light-weight.
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