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Artwork
#set up
#Levi van Veluw
#polymer clay
#portraits
#sculpture
#wooden
“Within the depths of reminiscence.” Pictures by Michèle Margot, courtesy of Galerie Ron Mandos. All photographs © Levi van Veluw, shared with permission
Combining translucent polymer clay with saturated pigments or carving delicate ridges from tulipwood, Levi van Veluw constructs enigmatic, immersive narratives. The Dutch artist has been fascinated by symbols and rituals since childhood, spurred by an upbringing in a non secular family. The complexity and conviction of religion and “the stark visible language of its follow made him delicate to the visible vernacular of spiritual seduction,” reads an announcement for the artist’s sequence Past Matter.
Reminiscence, structure, and storytelling manifests in Past Matter by the portrayal of naves or chapel-like areas, altars, and mandalas redolent of rose home windows. Geometry and repetition work together with mild and shadow in meditative patterns, exploring the parallels of religious expertise and viewing artwork. Van Veluw prompts questions on what and the way we see and our position in finishing the image.
In one other physique of labor, Within the depths of reminiscence, van Veluw explores portraiture and interactions between figures in a sequence of framed reliefs that echo film stills or storyboard frames. And an immersive room stacked top-to-bottom with an identical portraits invitations viewers to face within the middle of a mysterious chamber. Mirrors on the ground and ceiling mirror the partitions and each other, giving the impression of an area that’s each confined and infinite. The artist leaves its interpretation open: Are you in a studio? A fever dream? Contained in the artist’s thoughts?
“Dinner”
Van Veluw’s makes use of portals, home windows, and the facility of the gaze to ask us into the narrative. “In between,” for instance, depicts an sad household in a automobile, seen straight-on by the windshield. In “Dinner,” an argument has been interrupted, and one topic turns round in his seat to face outward in frustration. “Stared at by piercing gazes, you’re made complicit in a scenario that unfolds earlier than your eyes,” says an announcement. “You might be being checked out, however, in a means, you’re additionally taking a look at your self from the skin.”
An acquisition of van Veluw’s piece “Planetary Chapel” by the Stedelijk Museum Schiedam is scheduled to go on view quickly, and he’s at the moment getting ready solo exhibitions for the Singer Museum in Laren, The Netherlands, and Les Filles du Calvaire in Paris. The artist is represented by Galerie Ron Mandos, and you’ll discover his work in far more element on his web site. He additionally shares updates and wonderful course of movies on Instagram.
“In between”
Element of “In between”
“Within the depths of reminiscence”
Element of “Within the depths of reminiscence”
“Round Compound”
“Past Matter”
“Distinct”
“Divine”
“Dialog”
“Abstruse”
#set up
#Levi van Veluw
#polymer clay
#portraits
#sculpture
#wooden
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