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Italian curator Marco Altavilla, famend for his sharp eye for recent expertise and his unfettered strategy to exhibition making, died August 19 following a protracted sickness. Information of his demise was reported by Italy 24 Press Information. Altavilla and his life and enterprise associate Paola Guadagnino opened the artwork area T293 in Naples in 2002 with the intention of specializing in rising artists. Occupying a historic constructing, the mission rapidly gained a popularity as a locus of analysis and experimentation. T293 turned a industrial gallery in 2006; 4 years later, Altavilla and Guadagnino moved it to Rome, the place it now occupies a disused metallic store within the metropolis’s buzzy Trastevere neighborhood. In the course of the gallery’s two-decade historical past, the couple constantly sought new methods to contextualize up to date artwork, attaining this by way of a sturdy program that included varied tasks and publications in addition to conventional gallery exhibits. T293 performed a serious function in launching or elevating the careers of artists together with James Beckett, Patrizio Di Massimo, Isabella Ducrot, David Maljković, and Lorenzo Vitturi.
Marco Altavilla initially studied artwork in Bologna. In 2002, with Guadagnino, he cofounded T293 at Through dei Tribunali 293, within the coronary heart of Naples. Shortly after its 2006 transformation to a industrial gallery, a New York Instances article famous that Altavilla and Guadagnino had been so dedicated to up to date artwork that they hardly ever confirmed portray, contemplating pictures and multimedia work to be extra wholly of the then-present period. The organizational change enabled T293 to realize a world presence, with the gallery recurrently presenting its artists at occasions together with the London and New York iterations of Frieze, Milan’s MiArt, Artwork Basel Miami Seaside, and Artwork Basel-Artwork Statements, the place it gained the celebrated Bâloise Artwork Prize in 2008, with a solo exhibition of labor by Tris Vonna-Michell.
Following T293’s 2010 transfer to Rome, Altavilla and Guadagnino inaugurated a residency program and commenced collaborating curatorially with worldwide installations and galleries. As effectively, the gallery was fast to acknowledge the worth of social media, viewing it as one other software to deploy within the service of their younger artists, who’ve gone on to see their work present in establishments and venues together with Tate London; the Palais de Tokyo, Paris; the Museum Fridericianum, Kassel; and the Venice Biennale, whose forthcoming sixtieth iteration, “Foreigners All over the place,” takes its title from a 2006 work by the Palermo, Italy–primarily based collective Claire Fontaine, which T293 championed early and infrequently.
Altavilla’s curatorial pursuits prolonged past artwork to music, as evinced by “interstices,” his 2003 contribution to ArtSound, a section of Italy’s bigger Music Competition ‘900, and by his occasional curation of “Archivi Privati,” a recurring music occasion at Bologna’s Raum cultural heart. He additionally wrote critically on music for the artwork web site Exibart.
Preferring the highlight to shine on the artists he so tirelessly promoted, Altavilla gave few interviews, and public info concerning the curator is proscribed. Italian web site Arttribune pointed to the textual content with which Altavilla launched himself on his Instagram profile. “If you wish to go quick, go alone,” it learn. “If you wish to go far, go collectively.”
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