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Gallerists Jeff Poe and Tim Blum, who in 1994 based Los Angeles artwork scene mainstay Blum & Poe, are going their separate methods. Poe will depart the gallery, which is able to retain its well-known moniker, and which Blum will proceed to run. Neither celebration supplied a cause for the separation. Poe in a press release stated acknowledged that he could be “taking place a less complicated and extra fluid path. I’ll proceed to work with artists and artwork; I’ve to, it’s given me nice pleasure and nothing is extra essential to me. I’ve additionally all the time been engaged with constructing quieter facets of the gallery—creating actual property, working with structure, design—and I’ll proceed with that too. I’m fairly enthusiastic about having the liberty to totally embrace a brand new apply.”
Blum & Poe opened amid a really completely different LA art-world panorama than that of right this moment. The town has seen large development in its artwork scene, and is now residence to numerous blue-chip galleries in addition to a broad vary of small and midsize sellers. As nicely, it hosts top-tier artwork truthful Frieze LA, in addition to the carefully watched Felix Artwork Honest and a not too long ago launched gallery weekend. The town’s museums have loved elevated native and worldwide consideration as nicely, due to efforts together with the Hammer Museum’s Made in LA biennial and the Getty’s Pacific Commonplace Time initiative.
Throughout its practically three-decade run, Blum & Poe, which presently represents sixty artists from sixteen nations, has been essential in elevating the careers of heavy hitters together with Mark Grotjahn, Takashi Murakami, Yoshitomo Nara, and Henry Taylor. The gallery operates outposts in New York and Tokyo and has workers in Taipei and Paris. With Poe out of the image, New York gallery chief Matt Bangser will step into the newly created position of managing associate.
“It’s been a rare journey constructing this gallery with Jeff,” Blum continued in his assertion. “Beginning out in Los Angeles in 1994 with a paltry sum of cash and a 1200-square-foot area and taking the gallery by this explosive international development inside the artwork world is nothing in need of outstanding. I see this second as one more inflection level on this historical past, and I’m emboldened by the energy of our group now spanning Taipei, Tokyo, Los Angeles, New York, and Paris.”
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