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“As the times go by,” the primary solo present by Ben Arpéa in Switzerland, assembles fifteen semi-representational work that play with the notion of time utilizing three primary motifs—solar, sky, and horizon—alongside six sculptures that mirror these recurring parts and do the identical. Thematically, the work concentrate on vibrant summer season days; they depict no shade in any respect, imbuing, imbuing the scenes with a surreal temporality. Conversely, the slim, vertical sculptures solid shadows across the gallery like sundials, anchored to a selected place and second.
Arpéa’s abstracted environs present a peaceful, soothing recess from the hectic noise and drudgery of on a regular basis life. His footage prescribe the quiet pleasure of a Mediterranean breeze (Cypress alley, all works 2023), the scent of lush citrus (Orange tree), the promising cool of a swimming pool (Tuscan panorama), the pleasure of consuming exterior (Summer time morning). Every evokes the daydream of an countless trip, inciting a eager for sorbet or a spontaneous journey to the seaside.
People are nowhere to be discovered on this vacation, save for within the present’s namesake work, a looping animated video that maps the solar’s motion over the course of twenty-four hours, which options an occasional promenader taking a sluggish stroll, in addition to a few birds that fly throughout the display, including life to the nonetheless surroundings. In the meantime, Into the wild, 2023, a six-meter-long diptych made with acrylic, oil, and sand on linen, fills up the biggest wall on the gallery’s second ground. Are we taking a look at daybreak, or is night time approaching? The artist retains it ambiguous, divorcing the solar’s place from the human idea of time.
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