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Within the exhibition “Souvenirs Entrelacés” (Intertwined Reminiscences), Elladj Lincy Deloumeaux introduces us to the corporate he retains with an array of recent work and works on paper portraying the Guadeloupean artist’s family and friends, in addition to fellow artists and photographers together with Eva Diallo and Ange-Frédéric Koffi. Produced throughout a residency in Senegal and Ivory Coast, Deloumeaux’s canvases are suffused with mild, with tones that shift with the geography. Home scenes in Dakar are awash in sandy yellow, whereas a tranquil blue falls throughout a younger man tending to a backyard in summertime France.
Deloumeaux doesn’t present the names of his sitters, obscuring their identities from viewers not within the know. The consequence, nonetheless, isn’t alienation. His topics, usually captured in unguarded and tender moments, protect a way of amity. It looks like we’ve been let in on an intimate second, and we don’t wish to look away. Weaving reminiscence with creativeness, the artist acts as a conduit for connection. Un après-midi sur la terrasse and Un après-midi sur la terrasse 2 (An Afternoon on the Terrace and An Afternoon on the Terrace 2, all works 2023) each function figures sitting on a balcony laced with bougainvillea. The works are displayed facet by facet within the gallery, as if the themes had been going through one another throughout a desk. In actuality, the 2 people have by no means met.
Against this, Deloumeaux’s works on paper are sparser in shade (his palette condenses to a close to grayscale, with hints of blue within the highlights) and don’t hassle with scene-setting. Whereas subdued in comparison with his work, these portraits nonetheless deliver the person to the forefront in stark, expressive element.
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