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It’s a sunny Saturday morning, in the course of my summer season trip. I’m going into the backyard. Right here I’m: “Do not disturb me, I am blooming”. This can be a second of metamorphosis wherein the physique is impregnated with vitality and all the pieces turns into an explosion of nature wrapped in vibrant colours and intoxicating aromas. The works offered by artist Fátima de Juan (Juxtapoz Spring 2023 Cowl artist) set off dreamlike sensations, recollections. Room 1 at L21 Barcelona embraces us and transports us to the chapter “Timber and flowers” of the “Foolish Symphonies” (Disney, 1932). It makes us journey to Wonderland (Lewis Carroll, 1865). For this undertaking, Fátima de Juan transforms the exhibition house right into a contemporary setting, with dreamy smells and colours that put together and accompany us on this evolution in the direction of flourishing and abundance.
On this event, Fátima’s ladies go on a message of serenity and self-care. Their relaxed eyes and sheathed nails unfold the peace that comes from stopping the struggle when beginning a brand new section. Deep of their “Flower fortress” (2023), they transport us to a state of contemplation and reference to nature, recalling the significance of stopping and appreciating the pure surroundings inside chaos. The struggle is over.
By way of her works, de Juan reveals the splendor of flowers, these genuine ephemeral jewels of nature that comply with their very own legal guidelines and rhythms, alien to ours. They supply invaluable classes and encourage reflection on time and belief. Gradual processes change into stunning of their steady contemplation, like Fátima’s crocodile, rejoicing in a cool backyard within the portray “Don’t disturb me, I am blooming” (2023), which waters and baptizes this new undertaking.
The mesmerizing eyes of the “Household Tree” work lead these plant chandeliers that emerge from the bottom in the direction of the sky, paying homage to the Gothic. They echo the cyclical restart of the seed that grows at its personal tempo and drives us in the direction of a implausible and playful universe, giving house to creativeness. They put together us for photosynthesis, a extra natural and slower course of, a dance to the rhythm of “Plantasia” (Mort Garson, 1976). Vegetation invite you to cease time and admire it as a present. They encourage breaking it down into small delights, slowing down, and discovering achievement in serenity. These works are a return to humor derived from tranquility, a return to Mediterranean slowness by means of the artist’s language.
Fátima de Juan’s artworks spark sensitivity and invite us to immerse ourselves in a world the place nature and creativeness are intertwined. They remind of the significance of caring for and appreciating the environment, in addition to cultivating our personal transformation and interior progress. On this event, Fátima enters a backyard of sensations the place nature turns into a catalyst for private evolution. Within the midst of a fast-paced world, these work invite us to cease, breathe and permit ourselves to flourish in our personal authenticity. They provide us a second of introspection and connection to what’s important, inspiring us to embrace our florescence and discover magnificence within the small particulars of life.
“Don’t disturb me, I’m blooming” is the photosynthesis of artist Fátima de Juan. —Raquel Victoria
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