Saturday, November 8, 2025

12 Artwork Exhibits to See in Philadelphia Summer season 2023

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While you consider a metropolis with a bustling artwork scene, Philadelphia might not instantly spring to thoughts. However its abundance of artwork colleges, a rising variety of artwork galleries, over 4,000 murals, and relatively low cost rents make Philly a thriving artwork city. Many artists listed below are impressed by town’s historical past as a middle of trade and craft — therefore the profusion of organizations just like the Cloth Workshop and Museum, the Middle for Artwork in Wooden, and the Clay Studio. When you’re on the town, take a break from our sweltering, swampy summer time air and style a little bit of the inventive surprise Philadelphia has to supply.


Terence Nacne: Swarm

Set up view of Terence Nance, “Swimming In Your Pores and skin Once more” (2015) on the Institute of Up to date Artwork, College of Pennsylvania (picture by Constance Mensh, courtesy the artist and Institute of Up to date Artwork, College of Pennsylvania)

That is the primary solo museum exhibition by Terence Nance, the filmmaker behind the 2012 film An Oversimplification of Her Magnificence and HBO’s sequence Random Acts of Flyness. Nance is thought for his charming video collages, that are boldly experimental but additionally accessible to a variety of audiences. The exhibition title, Swarm, refers to a Brooklyn-based artist neighborhood that Nance was part of within the early aughts the place he developed a physique of labor that harkened again to the breakthroughs of the Black Arts Motion within the Sixties and ’70s. The exhibition can be the results of a partnership with the Philadelphia-based BlackStar Tasks, house of the BlackStar Movie Pageant that uplifts Black, Brown, and Indigenous movie artists, the place Nance debuted Random Acts of Flyness in 2018. 

Institute of Up to date Artwork, College of Pennsylvania (icaphila.org)
118 South thirty sixth Avenue, Philadelphia, Pennsylvania
By way of July 9


One to the Subsequent

Kate Sherman, “STEEPLECHASE FACE” (2022), 45 x 42 inches, oil, gesso, graphite, ink on lower canvas with button (picture Isabella Segalovich/Hyperallergic

Eight alumni of the impartial artwork schooling program NYC Crit Membership come collectively on this exhibition hosted at Pentimenti Gallery. The artists have created work in varied media responding to the easy theme: “What issues essentially the most.” The works share a typical vocabulary of daring geometric traces, vibrant fiery colours, and dreamy internal worlds. Highlights embody the traces of space-time curvature on deep blue ceramics by Kyong Kim, gouache and glitter-filled portraits by Zella Vanié, and work on cut-up and remixed canvases by Kate Sherman

Pentimenti Gallery (pentimenti.com)
145 North 2nd Avenue, Philadelphia, Pennsylvania
By way of July 22


The Mashrabiya Venture

Hoda Tawakol, “Mashrabiya #9” (2022) (© Museum for Artwork in Wooden; picture by John Carlano)

This venture on the Museum for Artwork in Wooden honors the mashrabiya, a conventional wood-carved lattice display screen that separates private and non-private life in some Islamic architectural traditions. Put in in a window together with a jar of water, the mashrabiya’s delicate patterns supply each pure air flow and separation between men and women in non secular households, amongst different features. This exhibition focuses on latticework in Cairo, Egypt, which is alleged to have birthed the craft of woodturning three millennia in the past. The present brings collectively modern ladies artists with Muslim cultural roots who craft daring and delightful experiments out of wooden, cloth, and glass, every inquiring into the importance and complexity of the mashrabiya in the present day. Guests are additionally invited to curve up within the exhibition’s Īwān, a comfortable seating space coated in wealthy carpets, designed for hospitality, dialog, and contemplation.

The Museum for Artwork in Wooden (museumforartinwood.org)
141 North third Avenue Philadelphia, Pennsylvania
By way of July 23


The Physique You Need

Jongbum Kim, “Haus of Bongba” (2022), recycled cloth, clothes, yarns, beads, 120 x 150 x 91 inches (picture by Jason Greenberg, courtesy the Asian Arts Initiative)

Six younger Asian and Asian-American artists query conventional gender norms and expression with an outburst of colour, sample, and sensuality. The entrance room accommodates furry sculptures by Jongbum Kim, entrancing video artwork Jason Vu, and glowing neon collages by Eva Wu. Stroll to the again of the constructing, and also you’ll discover an 18+ room that may be a passionate celebration of all types of sexual play, together with movies that function queer, fats, and bushy our bodies. This present insists on queer pleasure within the face of oppression and violence.

Asian Arts Initiative (asianartsinitiative.org)
1219 Vine Avenue, Philadelphia, Pennsylvania
By way of August 5


Heather Ujiie: Misplaced in Paradise

Heather Ujiie, “Tree of Life,” (2023), digital inkjet print on poly-velvet, 162 x 165 inches (picture courtesy James Oliver Gallery)

This solo present on the James Oliver Gallery is a riot of colour and sample. Textile artist Heather Ujiie’s newest work is impressed by a 1,000-year-old basic Iranian epic poem “Shahnameh.” Ujiie created magical plant-animal hybrids in painstakingly detailed gouache work, which she then manipulated digitally earlier than printing on the huge cloth murals that cowl the exhibition’s partitions. The artist used this present to experiment with unconventional textile functions together with the arduous technique of printing on velvet; a quilt containing a three-dimensional portal; and majestic, otherworldly creatures which have grown out of piles of felt. Her mix of motifs, which draw from Iranian battle mythology and Japanese tentacle erotica, make for an unforgettable, kaleidoscopic fever dream. 

James Oliver Gallery (jamesolivergallery.com)
723 Chestnut Avenue 4th Flooring, Philadelphia, Pennsylvania
By way of August 12


WACK!

Alex Schecter, “The Transcendent Nadir” (2022), 24 x 24 x 16 inches, drawing on paper, panel, acrylic paint, walnut, neon, synthetic plant, mirrored acrylic (picture courtesy HOT•BED)

From the current menace of contaminated water to the sudden collapse of an interstate freeway, life in Philly is weirder than ever earlier than. One ground down from the James Oliver Gallery, HOT•BED’s five-year-old exhibition house is a gallery, furnishings showroom, and greenhouse. WACK! brings collectively 25 artists chosen from an open name, all of whom made work impressed by the utter weirdness that Philadelphians have lived with for the reason that COVID-19 pandemic. A few highlights embody Jordan Princiotta’s “INFECTION” (2023), a plushy, furry worm taking up a ladder; Aubrey Fink’s military of little clay “Guardian” monsters (2022–23); and Alex Schecter’s mind-bending drawing of a wolf stabbed by way of the attention with a fluorescent bulb, entitled “The Transcendent Nadir”(2022). Philadelphia guests are inspired to make an appointment to cease by the gallery to get a glimpse into how “wack” it’s to reside on this city.

HOT•BED (hotbedphilly.com)
723 Chestnut St Flooring 2, Philadelphia, Pennsylvania
By way of August 12
Visits by appointment solely


William Edmondson: A Monumental Imaginative and prescient

Edward Weston, “William Edmondson, Sculptor, Nashville,” (1941 unfavourable; 1951 print) (© Edward Weston, picture by Edward Weston / © Middle for Inventive Pictures, Arizona Board of Regents; picture courtesy the Barnes Basis) 

William Edmondson of Tennessee (c. 1874–1951) mentioned he was referred to as upon by the divine to carve his ethereal tombstones. In 1937, he made historical past as the primary Black artist to have a solo exhibition at New York’s Museum of Trendy Artwork, the place he quickly grew to become a favourite of town’s elite as one of many pre-war “fashionable primitives” — a time period that stereotyped non-White, non-wealthy, non-traditionally educated artists who had been seen as an inventive model of the “fool savant.” However within the post-war period, these “naïve” artists had been thought of passé, and given little consideration in any respect, not to mention exploitative exhibitions. In the present day, 60 of Edmondson’s works are being proven on the Barnes Basis alongside a brand new efficiency piece by modern dancer and visible artist Brendan Fernandes, Returning to Earlier than (2023). The piece, an exploration of how American artwork establishments have handled the labor of Black artists, shall be carried out within the gallery with the works themselves. 

Barnes Basis (barnesfoundation.org)
2025 Benjamin Franklin Parkway, Philadelphia, Pennsylvania
By way of September 10

Returning to Earlier than shall be carried out at midday and 2pm, Saturdays, July 15–September 2. Tickets to the performances embody entry to the William Edmondson exhibition.


Joseph Stella: Visionary Nature

Joseph Stella, “The Virgin” (1926), oil on canvas, 39 11/16 x 38 3/4 inches (digital picture © Brooklyn Museum; courtesy the Brandywine Museum of Artwork)

Whereas Joseph Stella is greatest recognized for his Cubist- and Futurist-inflected visions of the Brooklyn Bridge, he additionally longed for “the blue distances of my youth in Italy.” His travels ultimately took him again to his nation of beginning, in addition to Barbados and North Africa. Coupled with frequent visits to the New York Botanical Backyard, these journeys impressed Stella to color a magical world of wildlife, the place he found a spirituality that resonated with the plush aesthetics of his Catholic upbringing. The Brandywine Museum’s exhibition brings collectively these vibrant landscapes, trippy floral visions, and outsized Madonna figures that supply a refreshed and softer view of this Twentieth-century painter. 

Brandywine Museum of Artwork (brandywine.org)
1 Hoffmans Mill Street, Chadds Ford, Pennsylvania
By way of September 24


POOL: A Social Historical past of Segregation

Set up view of Pool in 2023 (picture Isabella Segalovich/Hyperallergic)

Initially one in all Philadelphia’s first water pumping stations, the Fairmount Water Works is now a free academic middle for all issues aquatic. Pool is a landmark exhibition that seamlessly combines new artistic endeavors and eye-opening narratives in regards to the historical past of racial segregation for Black swimmers. This exhibition delves into the racial historical past of swimming — from colonization and slavery to the Jim Crow and Civil Rights eras — interwoven with work, sculptures, video, audio, and mixed-media artworks. The exhibition didactics clarify that drowning continues to be the second commonest reason for loss of life for youngsters beneath 15 nationwide, and in Pennsylvania, Black kids have a 50% larger threat of drowning than White kids. Black kids, lots of whom depend on marginally accessible and sparsely funded public swimming pools, are far much less more likely to obtain swimming classes than White kids. The battle for racial justice, Pool makes clear, doesn’t cease on the water’s edge. 

The Fairmount Water Works (poolphl.com)
640 Waterworks Drive, Philadelphia, Pennsylvania
By way of September 30


Nothing Change, Nothing Unusual

Set up view of Henry Taylor, in collaboration with the Cloth Workshop and Museum Philadelphia, Nothing Change, Nothing Unusual (2023) (picture by Carlos Avendaño, courtesy artist, Hauser & Wirth, and the Cloth Workshop and Museum)

This monumental exhibition, which explores worldwide commerce and slavery by way of the lens of tartan, the enduring Scottish patterned material, is the results of Henry Taylor’s 18-month residency on the Cloth Workshop and Museum. Taylor was impressed by a 2018 documentary titled Who Put The Klan Into Ku Klux Klan, which explored the function of Scottish and Scots-Irish tradition in modern US white nationalism. The movie drew a connection between the American “Klan” and the early Scots-Irish colonizers who descended from highland “clans” — and outlined themselves by way of distinct tartan patterns. Taylor’s work blurs the neat traces of tartan and throws the viewers right into a tortuous historical past, the messiness of which is emphasised through the use of waste supplies from Philadelphia’s Recycled Artist in Residency (RAIR) program. He creates new “tartans” out of bales of tires and plastic waste, stacks of cloth, and even fluorescent tube lighting. He performs with stripes in plaid to spotlight how people have separated and stratified themselves, categorizing one another by way of colour.

The Cloth Workshop and Museum (fabricworkshopandmuseum.org)
1214 Arch Avenue, Philadelphia, Pennsylvania
By way of October 22


The Artist’s Mom: Whistler & Philadelphia

James Abbott McNeill Whistler, “Association in Gray and Black No. 1: Portrait of the Artist’s Mom” (element), (1871) (© RMN-Grand Palais / Artwork Useful resource, NY; picture courtesy the Philadelphia Museum of Artwork) 

James Abbott McNeill Whistler’s iconic portrait of his mom has lastly come house, 142 years after it was first exhibited on the Pennsylvania Academy of the Advantageous Arts. The Philadelphia Museum of Artwork is displaying the portray alongside work and drawings by a multi-generational group of Philadelphia artists, together with Cecilia Beaux, Henry Ossawa Tanner, John Sloan, Dox Thrash, Alice Neel, and Sidney Goodman, who had been impressed by Whistler to create portraits of their very own moms. Whistler himself was stunned by the recognition of his portray. He as soon as mentioned, “To me it’s fascinating as an image of my mom, however what can or ought the general public to care in regards to the identification of the portrait?” In an analogous vein, this exhibition asks: What is exclusive about every artist’s relationship with their mom? What can this relationship inform us about their work that we’d not in any other case know?

The Philadelphia Museum of Artwork (philamuseum.org)
2600 Benjamin Franklin Parkway, Philadelphia, Pennsylvania
By way of October 29


Sit-A-Spell

Set up view of Sit A Spell on the Coloured Women Museum (2023) (picture by Zumani Emotions, courtesy the Coloured Women Museum)

In a world of clean white partitions and large, echoey galleries, the Coloured Women Museum affords an oasis of heat and colour. Based by Philadelphia cultural chief Vashti DuBois, the museum is located in a historic Germantown house, full of an ever-changing, intricately curated assortment of art work, artifacts, and trinkets. A singular tackle the custom of African-American home museums, the house is called the primary museum solely devoted to celebrating Black girlhood. Their present exhibition, Sit A Spell, welcomes eight artists into the museum’s legacy, together with quilter Aliyah Bonnette, fiber artist Ellen Blalock, and painter Daphne Arthur. The third ground consists of an Afro-Futurist speakeasy that’s presently presenting What Black Feminists Taught Me, a collaboration between the Coloured Women Museum, Philadelphia Printworks, and the Washington DC-based group Black Ladies Radicals. 

The Coloured Women Museum (thecoloredgirlsmuseum.com)
4613 Newhall Avenue, Philadelphia, Pennsylvania
By way of December 2023
Visits by appointment solely, electronic mail thecoloredgirlsmuseum@gmail.com for tickets 

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